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Indian travel writing in the age of empire, 1830-1940 / by.Pramod K. Nayar.

By: Material type: TextTextPublisher: New Delhi Bloomsbury, 2019Description: 245p. 22 cmContent type:
  • text
ISBN:
  • 9789389000924 (hbk)
Subject(s): DDC classification:
  • 910.4092391411 NAY 
Contents:
1. Introduction: Travel and Self-fashioning in the Age of Empire 2. Colonial Subjects and Their Dislocated Aesthetics 3. The Occidental Exotic 4. Vernacular Cosmopolitanism in the Age of Empire 5. The Globalectic Imagination and Connected Histories 6. Conclusion: The Antinomies of Travel in the Age of Empire
Summary: Indian Travel Writing in the Age of Empire studies a variety of travel narratives by Indian kings, evangelists, statesmen, scholars, merchants, leisure travellers and reformers. It identifies the key modes through which the Indian traveller engaged with Europe and the world-from aesthetic evaluations to cosmopolitan nationalist perceptions, from exoticism to a keen sense of connected and global histories. These modes are constitutive of the identity of the traveller. The book demonstrates how the Indian traveller defied the prescriptive category of the 'imperial subject' and fashions himself through this multilayered engagement with England, Europe and the world in different identities.
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Item type Current library Collection Call number Status Date due Barcode
Books Books H.T. Parekh Library SIAS Collection 910.4092391411 NAY (Browse shelf(Opens below)) Available K2702

Rs.1299/-

1. Introduction: Travel and Self-fashioning in the Age of Empire
2. Colonial Subjects and Their Dislocated Aesthetics
3. The Occidental Exotic
4. Vernacular Cosmopolitanism in the Age of Empire
5. The Globalectic Imagination and Connected Histories
6. Conclusion: The Antinomies of Travel in the Age of Empire

Indian Travel Writing in the Age of Empire studies a variety of travel narratives by Indian kings, evangelists, statesmen, scholars, merchants, leisure travellers and reformers. It identifies the key modes through which the Indian traveller engaged with Europe and the world-from aesthetic evaluations to cosmopolitan nationalist perceptions, from exoticism to a keen sense of connected and global histories. These modes are constitutive of the identity of the traveller.

The book demonstrates how the Indian traveller defied the prescriptive category of the 'imperial subject' and fashions himself through this multilayered engagement with England, Europe and the world in different identities.

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