Dance matters too : markets, memories, identities / edited by Pallabi Chakravorty and Nilanjana Gupta.
Material type:
- 9781138106376 (hbk.)
- 793.31954 DAN
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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H.T. Parekh Library | SIAS Collection | 793.31954 DAN (Browse shelf(Opens below)) | Available | K3631 |
Rs.1495/-
TBH86/60
Dance Matters II: IntroductionPallabi Chakravorty and Nilanjana GuptaPart 1Mah Laqa Bai: The Remains of a Courtesan's DanceScott KugleConflict between Cultural Perpetuation and Environmental Protection: A case study of Ritual Performance in North Malabar, South IndiaYoshiaki TakemuraBodies and Borders: The Odissi Costume ControversyNandini SikandI know it and I name it as I do it: Embodied Practice as a key to understand PerformanceShruti GhoshCosmopolitan Then and Cosmopolitan Now: Rabindranrtiya Meets Dance Reality ShowsPallabi ChakravortyPart 2Corporatisation of Dance: Changing Landscape in Choreography and Patronage since Economic Liberalization in BengaluruVeena BasavarajaiahNegotiating Space for Dance within the Spectrum of Contemporary Performing Arts in a Globalised India: The Experiences of an Indian Arts ManagerArshya SethiBollywood Dance: Desire for the 'Other'Indrani Das GuptaPart 3Rasalila Remixed: Tracing the Dances of an ImagePika GhoshWhy Dance Today In India? The Role of Dance Performances in an Era of Transdisciplinarity: A Philosophical ApproachJean-Fredric ChevallierPlaying Dance and Dancing Music: The Work of Intimacy in KathakAmeera NimjeeEmbodiment, Reflexivity and Practice-as-Research in Indian Dance: A Case StudyParthana PurkayasthaRemixing Natya: Revanta Sarabhai's LDR and Post Natyam Collective's Super Ruwaxi: OriginsSandra Chatterjee and Cynthia Ling LeePart 4Dancers and Critics: Re-viewing TagoreAishika ChakrabortyPedagogy of Manipuri Dance: In and beyond the Temple PremiseSruti BandopadhayText, Context and Interpreter: Understanding the Paradigms of Sattriya Dance and Dancer in the Changing SpaceAnwesa MahantaWhy dancing the sensual sculptures matters?: Considering a sensory paradigm for Odissi danceSabina Sweta SenIndex
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