TY  - BOOK
AU  - Chakravorty, Pallabi;
AU  - Gupta, Nilanjana;
TI  - Dance matters too : markets, memories, identities
SN  - 9781138106376 (hbk.)
U1  - 793.31954 DAN 
PY  - 2018///
CY  - New York
PB  - Routledge
KW  - Dance
KW  - Performing arts--Philosophy
KW  - Culture--Study and teaching
KW  - Manners and customs
KW  - Music
KW  - Popular culture--Study and teaching
KW  - Social sciences
KW  - Asia
N1  - Rs.1495/-
TBH86/60; Dance Matters II: IntroductionPallabi Chakravorty and Nilanjana GuptaPart 1Mah Laqa Bai: The Remains of a Courtesan's DanceScott KugleConflict between Cultural Perpetuation and Environmental Protection: A case study of Ritual Performance in North Malabar, South IndiaYoshiaki TakemuraBodies and Borders: The Odissi Costume ControversyNandini SikandI know it and I name it as I do it: Embodied Practice as a key to understand PerformanceShruti GhoshCosmopolitan Then and Cosmopolitan Now: Rabindranrtiya Meets Dance Reality ShowsPallabi ChakravortyPart 2Corporatisation of Dance: Changing Landscape in Choreography and Patronage since Economic Liberalization in BengaluruVeena BasavarajaiahNegotiating Space for Dance within the Spectrum of Contemporary Performing Arts in a Globalised India: The Experiences of an Indian Arts ManagerArshya SethiBollywood Dance: Desire for the 'Other'Indrani Das GuptaPart 3Rasalila Remixed: Tracing the Dances of an ImagePika GhoshWhy Dance Today In India? The Role of Dance Performances in an Era of Transdisciplinarity: A Philosophical ApproachJean-Fredric ChevallierPlaying Dance and Dancing Music: The Work of Intimacy in KathakAmeera NimjeeEmbodiment, Reflexivity and Practice-as-Research in Indian Dance: A Case StudyParthana PurkayasthaRemixing Natya: Revanta Sarabhai's LDR and Post Natyam Collective's Super Ruwaxi: OriginsSandra Chatterjee and Cynthia Ling LeePart 4Dancers and Critics: Re-viewing TagoreAishika ChakrabortyPedagogy of Manipuri Dance: In and beyond the Temple PremiseSruti BandopadhayText, Context and Interpreter: Understanding the Paradigms of Sattriya Dance and Dancer in the Changing SpaceAnwesa MahantaWhy dancing the sensual sculptures matters?: Considering a sensory paradigm for Odissi danceSabina Sweta SenIndex
ER  -