000 | 03003cam a22003857i 4500 | ||
---|---|---|---|
999 |
_c105159 _d105159 |
||
001 | 21085303 | ||
005 | 20200121183152.0 | ||
008 | 190716s2017 gw ac 000 0deng d | ||
020 | _a9783836536974 | ||
020 | _a3836536978 | ||
035 | _a(OCoLC)ocn988004973 | ||
040 |
_aCPG _beng _cCPG _erda _dYDX _dBDX _dBTCTA _dLIQ _dOCLCF _dPLF _dIPL _dJDP _dNYP _dPHUST _dQQ3 _dGO4 _dOCL _dDLC |
||
041 | 1 |
_aeng _hger |
|
042 | _alccopycat | ||
082 | 0 | 4 | _a759.054 GRI |
100 | 1 |
_aGrimme, Karin H., _eauthor. |
|
240 | 1 | 0 |
_aImpressionismus. _lEnglish |
245 | 1 | 0 |
_aImpressionism / _cKarin H. Grimme ; Norbert Wolf (ed.) ; translation, Michael Scuffil. |
250 | _aEnglish edition. | ||
264 | 1 |
_aKöln : _bTaschen, _c[2017] |
|
300 |
_a95 pages : _billustrations (some color), portraits ; _c26 cm. |
||
490 | 1 | _aBasic art series 2.0 | |
500 | _aAmazon.in IN-40589 Rs.925/- Original edition ©2007. | ||
505 | 0 | _aPictures created from light and colour -- Frédéric Bazille -- Marie Bracquemond -- Gustave Caillebotte -- Mary Cassatt -- Edgar Degas -- Vincent van Gogh -- Armand Guillaumin -- Wassily Kandinsky -- Max Liebermann -- Claude Monet -- Berthe Morisot -- Giuseppe de Nittis -- Camille Pissarro -- Pierre-Auguste Renoir -- Medardo Rosso -- John Singer Sargent -- Giovanni Battista Segantini -- Georges Seurat -- Walter Richard Sickert -- Paul Signac -- Alfred Sisley -- Max Slevogt -- Fritz von Uhde -- Federico Zandomeneghi. | |
520 |
_a"Discover how scenes of daily life and delicate dabs of color shocked the art world establishment. In this introduction to Impressionism, we explore the artists, subjects, and techniques that first brought the easel out of the studio and shifted artistic attention from history, religion, or portraiture to the evanescent ebb and flow of modern life. As we tour the theaters, bars, and parks of Paris and beyond, we take in the movement's radical innovations in style and subject, from the principle of plein air painting to the rapid, broken brushwork that allowed the Impressionists to emphasize spontaneity, movement, and the changing qualities of light. We take a close look at their unusual new perspectives and their fresh palette of pure, unblended colors, including many vivid shades that brought a whole new level of chromatic intensity to the canvas. Along the way, we recognized Impressionism's established greats, such as Edgar Degas, Claude Monet, Berthe Morisot, and Camille Pissarro, as well as many associated artists worthy of closer attention, including Marie Bracquemond, Medardo Rosso, and Fritz von Udhe." -- _cProvided by publisher. |
||
546 | _aTranslated from the German. | ||
650 | 7 |
_aImpressionism (Art) _2fast _0(OCoLC)fst00968249 |
|
655 | 4 | _aNonfiction. | |
655 | 7 |
_aArt criticism. _2fast _0(OCoLC)fst02003312 |
|
700 | 1 |
_aWolf, Norbert, _d1949- _eeditor. |
|
700 | 1 |
_aScuffil, Michael, _etranslator. |
|
830 | 0 | _aBasic art series 2.0. | |
906 |
_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg |
||
942 |
_2ddc _cBK |