000			03815cam a2200361 i 4500
999			_c106502 _d106502
001			20088470
003			OSt
005			20200930125914.0
008			171024s2018 nyu f 001 0 eng
010			_a
020			_a9780415793544 (pbk.)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
082	0	0	_a777.34 LAN
100	1		_aLancaster, Kurt, _d1967- _eauthor.
245	1	0	_aDSLR cinema : _ba beginner's guide to filmmaking on a budget / _cKurt Lancaster.
250			_a3rd edition.
264		1	_aNew York : _bRoutledge, Taylor & Francis Group, _c2018.
300			_axxxv, 277 pages : _bcolor illustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aGBP 33.99/- Includes index.
505			_aIntroduction – The Rise and Fall of the DSLR Cinema Revolution Chapter 1 – Composition, Lenses, Blocking, and Camera Movement Chapter 2 – Lighting Chapter 3 – Exposure Chapter 4 – Recording Quality Audio Chapter 5 – Postproduction Workflow Chapter 6 – Telling Better Stories Chapter 7 – Cinematic Gear on a Budget Chapter 8 – David Tembleque: Blackmagic’s Pocket Cinema Camera in Dear Tom Chapter 9 – Joe Simon: Canon’s C100 Mark II in Fragments by Dana Beasley Chapter 10 – Philip Bloom: Canon’s 7D in A Day at the Races Chapter 11 – Kiril Kirkov: Documentary Intimacy with the Canon 5D Mark III in Art of the People Chapter 12 – Po Chan and Shane Hurlbut: Canon’s 5D Mark II in The Last 3 Minutes Chapter 13 – J. Van Auken: Filming Action with Panasonic’s GH5 in Unmasked Chapter 14 – Mari Cleven: Filmming Documentaries on the Canon C100 Mark II Chapter 15 – Bibbi Abruzzini: Filmming Documentaries on the Canon 5D Mark IV Conclusion
520			_aThe DSLR cinema revolution began over ten years ago. Professional filmmakers, students, video journalists, event video shooters, production houses, and others jumped at the opportunity to shoot cinematic images on these low budget cameras. The first edition of the book mapped the way focusing exclusively on DSLRs. This new edition shows how you can create stunning cinematic images using low budget cinema cameras, from iPhones to the C200. The author examines new cameras and new projects as filmmakers shoot action movies with the Panasonic GH5, craft personal stories with Blackmagic’s Pocket Cinema Camera, make documentaries and short films with the Canon C100 Mark II, and create music videos with the 5D Mark IV. This book, like the previous edition, takes the wisdom of some of the best shooters and empowers you to create visually stunning images with low budget cinema cameras. It includes six all new case studies, as well as updated examples from short films and documentaries. This book contains the essential tools to make you a better visual storyteller. FEATURES An examination of the creative and technical choices filmmakers face—everything from why we move cameras to shooting flat in order to widen the dynamic range of cameras Case studies from documentary filmmakers, news shooters, fiction makers, a visual anthropologist, and recent film school graduates An updated list of gear for low-budget filmmakers, including a section on what to look for in the gear you need to shoot and edit your projects
650		0	_aHigh definition video recording _vAmateurs' manuals.
650		0	_aSingle-lens reflex cameras _vAmateurs' manuals.
650		0	_aComposition (Photography) _vAmateurs' manuals.
650		0	_aDigital cinematography _vAmateurs' manuals.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK