000			01675cam a2200289 i 4500
001			20611253
003			OSt
005			20221211170803.0
008			180802t20192019enka b 001 0 eng d
015			_aGBB918999 _2bnb
016	7		_a019226727 _2Uk
020			_a9780198838869 (pbk.)
035			_a(OCoLC)on1055264992
040			_aYDX _beng _cYDX _erda _dOCLCQ _dBDX _dUKMGB _dOCLCO _dYDX _dOCLCF _dERASA _dCDX _dHLS _dQGJ _dCLU _dDLC
042			_alccopycat
082	0	4	_a809.142 REG
100	1		_aRegan, Stephen,
245	1	4	_aSonnet / _cStephen Regan
246			_aThe sonnet
260			_aNew Delhi _bOxford University Press _c2019
300			_axi, 433 pages : _billustration ; _c23 cm
500			_aGBP 19.99/- TRP40/243
520	8		_aThe Sonnet provides a comprehensive study of one of the oldest and most popular forms of poetry, widely used by Shakespeare, Milton and Wordsworth, and still used today by poets such as Seamus Heaney, Tony Harrison and Carol Ann Duffy. This book traces the development of the sonnet from its origins in medieval Italy to its widespread acceptance in modern Britain, Ireland and America. It shows how the sonnet emerges from the aristocratic courtly centres of Renaissance Europe and gradually becomes the chosen form of radical political poets such as Milton. The book draws on detailed critical analysis of some of the best-known sonnets written in English to explain how the sonnet functions as a poetic form, and it argues that the flexibility and versatility of the sonnet have given it a special place in literary history and tradition.
650		0	_aSonnet.
650		7	_aSonnet. _2fast _0(OCoLC)fst01126608
942			_2ddc _cBK
999			_c108054 _d108054